by Matthew Kangas Adams and Ollman, Portland, Oregon Continuing through February 28, 2026 Lynne Woods Turner, “Untitled #9559,” 2025, oil and pencil on linen over panel, 10 x 8”. All images of Turner are courtesy of Adams and Ollman, Portland. In a tiny alcove near the back of the exhibition is a projection of a three-and-one-half minute videotape titled “Spanish Dance” (1973), choreographed by Trisha Brown for female dancers in her company. This proves to be the key to under